South Asian Religions: Folk Religion

"The Self Possessed is a multifaceted, diachronic study reconsidering the very nature of religion in South Asia, the culmination of years of intensive research. Frederick M. Smith proposes that positive oracular or ecstatic possession is the most common form of spiritual expression in India, and that it has been linguistically distinguished from negative, disease-producing possession for thousands of years. In South Asia possession has always been broader and more diverse than in the West, where it has been almost entirely characterized as "demonic." At best, spirit possession has been regarded as a medically treatable psychological ailment and at worst, as a condition that requires exorcism or punishment. In South (and East) Asia, ecstatic or oracular possession has been widely practiced throughout history, occupying a position of respect in early and recent Hinduism and in certain forms of Buddhism." - Columbia University Press

The mythic figure Satya Pīr has a wide following among Hindus and Muslims alike in the Bangla-speaking regions of South Asia. Believed to be an avatara of krsna, or a Sufi saint, or somehow both, he is worshipped for his ability to bring wealth and comfort to a family. At the heart of this worship is the simple proposition that human dignity and morality are dependent upon a proper livelihood-without wealth, people cannot be expected to live moral lives. Men have a special responsibility to create that stability, but sometimes fail miserably, making ill-advised decisions that compromise the women who are dependent upon them. At these threatening junctures, women must take matters into their own hands, and they call on Satya Pīr to help them right the wrongs done by their husbands or fathers. This book presents lively translations of eight closely related 18th- and 19th-century Bengali folk tales centered on Satya Pīr and the people he helps. While the worship of Satya Pīr is the ostensible motivation for the tales, they are really demonstrations of the Pīr's miraculous powers, which authenticate him as a legitimate object of worship. The tales are also very amusing, parodying Brahmins and yogis and kings and sepoys. These stories fly in the face of conventional wisdom about the separation of Muslims and Hindus. Moreover, the stories happily stand alone, speaking with an easily recognized if not universal voice of exasperation and amazement at what life throws at us." - Oxford University Press

"Coursing though cultures and time, tuneful verse has given moving expression to the human longing for the divine. As poetry strung on sweet melodies, hymns bear testimony to the religious life of the devout, and to the inspiring teachings of minstrels and saints. Such is the ginan tradition of the Satpanth Isma'ilis, Indian successors of the Fatand Nizari Isma'ili sect of the Shi'ah Muslims. Traditionally recited during daily ritual prayers, ginans have been revered for generations among the Satpanth Isma'ilis as sacred compositions. This work offers for the first time an extensive translation of hymns attributed to the Isma'ili saint-composer, Pir Shams (ca. 13th century), who is at once one of the most pivotal and yet most enigmatic figures of this literary tradition. It also presents a cogent historical reconstruction of the beginnings of Satpanth Isma'ilism--a phase of Isma'ili history that has spanned over eight centuries." - SUNY Press